“The sweet nimble singing and deft acting of Sarah Kate Walston was a major plus throughout the performance.”

THE BALTIMORE SUN

"Walston’s lovely lyrical voice enhanced “Rejoice Greatly” from Handel’s “Messiah,” her ornamentations and cleanly handled gymnastic passages effectively and impressively presented"

The Virginia Gazette

"To possess a voice so silvery that it soars among the more memorable classical timbres has made Sarah Kate Walston a musical must-see whenever she performs in Cleveland.”

The Cleveland Daily Banner

Joshua Baumgardner, Aundi Marie Moore and Sarah Kate Walston, have sensational voices that fill the Hylton Center, delivering powerful renditions of classic arias.”

Washington Post

"Soprano Sarah Kate Walston, another LOV Young Artist, sang Caro Nome, from Rigoletto. Gilda’s aria is such a warhorse—and so often sung so badly—that to hear it done with charm and joyful freshness, not to mention a dazzling smile, was an unexpected treat...in the final death scene, Walston was a sweetly thrilling Gilda”

M.D.Ridge - www.artsongupdate.org

"I also enjoyed Sarah Walston's Caro Nome because she seemed to take such delight in singing it. I felt her light, lyrical voice was well-suited to the piece."

John Campbell WHRO (Virginia Beach NPR)

"Sarah Kate Walston, Richmond soprano of notable experience and quality, added to the joy with excellent renderings of "Christmas Song"

The Virginia Gazette

"To this movement [Laudate Dominum] Ms. Walston brought a beautifully developed soprano voice that was pure of tone and sincere in delivery, adding elegance to the Guild’s solid singing."

Artsongupdate.org

"Walston was again featured soloist, this time singing from the balcony, where her crystalline sound floated over the audience"

Artsongupdate.org

"Sarah Kate Walston brought a fine voice and a carefully sculpted interpretation to her character.”

Baltimoretheatre.blogspot.com

"...standout singing by Christie Jackson as Martha Jefferson and Sarah Kate Walston as Abigail Adams."

Richmond Times Dispatch

"The two women cast in this production more than pull their weight, especially Sarah Walston’s Abigail Adams. She sings like a lark and gives Adams something to fight for."

Style Weekly

"Caroline Whisnant, Sarah Kate Walston, and Abigail Stinnett knocked us over with their opening aria from Puccini’s La Boheme, “Quando me’n vo,” and held us rapt in our seats savoring their music the entire program."

Southside Sentinel

"Caroline Whisnant, Sarah Kate Walston, and Abigail Stinnett knocked us over with their opening aria from Puccini’s La Boheme, “Quando me’n vo,” and held us rapt in our seats savoring their music the entire program."

Southside Sentinel

"Walston (Abigail Adams) and Christie Jackson as Martha Jefferson both have lovely numbers of their own. They both are beautiful women with gorgeous voices."

GAYRVA

"Walston gave a winning performance.”

Explorehoward.com

"Sarah Kate Walston (and Phaedra McNorton) delivered extremely beautiful performances that both stood alone and in colabboration with Warschaweski, all of which made the solo attributes of “Yizkor” rewarding and rich”

Virginia Gazette

"[Walston's]... duet of "All Through the Night" with Tom Magette was one of the highlights of the show.

Capital Gazette

"Walston, a Richmond native, has refined her talent through operatic roles, recitals and concerts across the U.S. and abroad."

Daily Press

"The royal family was the stand out for this production. Gary Sullivan, Melissa Kornacki, and Sarah Kate Walston were the best actors and singers on stage. Their part flew by with beautiful singing and great comedic timing."

goldstar.com

“Lyric soprano Sarah Kate Hershman (Walston) had a light, pretty sound as Lucia, the high-flying role of Lucretia’s maidservant.”

Ionarts.blogspot.com

"A pretty voice!"

The Baltimore Examiner